《爱丽丝梦游仙境》

我想象了一个故事,这个故事改变了我。

“Why is a raven like a writing desk?”
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“Because it can produce a few notes, though they are very flat.”
“it is nevar put with the wrong end in front.”
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Auther's Note

Enquiries have been so often addressed to me, as to whether any answer to the Hatter's Riddle can be imagined, that I may as well put on record here what seems to me to be a fairly appropriate answer, viz. 'Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!' This, however, is merely an afterthought: the Riddle, as originally invented, had no answer at all.

Christmas 1896

《女人那话儿》

女导演黄真真以纪录片的形式展现香港现代女性的人生观、价值观、尤其是对性爱的心得体会,通过对不同的女性人群,包括性工作者、专职太太、情妇、女演员、艳星、女导演、女同性恋、女中学生等人的访问与跟踪拍摄,深刻地描绘了进入21世纪后香港女性对自己的重新定位、对女性价值的重新探讨与对两性关系的再认识。

《冬天的骨头》

本片获柏林国际电影节C.I.C.A.E.奖和青年影院陪审团奖(Tagesspiegel),以及圣丹斯电影节评审团大奖和华道索尔剧本奖。

本片中的小女孩受到生活的种种无奈,最后找到已经死去的父亲,并把手割下来养活了全家。

女主角一直强调:我不管父亲怎么死的;我有一个弟弟一个妹妹,有一个房子,我要养活一个家。

影片值得人深思,女性在社会中的位置。